Last week, I tweeted out that I had been asked to give a keynote speech at the Cannes Film Festival. In an attempt at humor, I made it sound as if it had been a last minute thing, when in fact I’ve known about it for months. The truth is that I had been approached to help set the stage for a full day event–one in which the MEDIA Program of the European Union would take stock of trends in the film business, with the goal of setting priorities for the future of the program. In any case, here it is. Thanks are due to Tara Roy, one of my Columbia students, who taped it for me.
In 2005, I was invited to a conference in Montreal called Digimart, organized by Daniel Langlois and his team at Ex-Centris. It was a very early attempt to deal with the coming convergence of entertainment technologies, and they invited a star-studded array of speakers that represented the cutting edge of that time. I met many incredible people at the event, and even more the following year, when they invited many of us back for a second time. Some of the folks I met are now good friends and collaborators.
Recently it was pointed out to me that the videos of the conference sessions were no longer on line, so I contacted the good folks at La fondation Daniel Langlois, who are now trying to restore access to those videos. They’ve put back the sessions from the 2005 event, and are trying to locate the ones from 2006. Watching these videos, it’s incredible how far ahead of the curve many of the speakers were, and equally incredible how much has changed. You can find all the 2005 videos at the Digimart site. For a quick taste, below is the panel I was on, which was called, “More Digital Cinema Networks – Alternative & Independent Spaces.” I’ll post again if and when the 2006 videos reappear.
Those of you who have watched my Keynote at the Art House Convergence may not have have realized that in the interest of time, I ended up cutting out five pages of the planned speech–an entire decade of my experience founding and running Fine Line Features. Coincidentally, several months later I was asked to speak at the University of Michigan in a class entitled “New Line and New Hollywood Cinema,” taught by Professor Dan Herbert. Here is a video of my guest lecture, which fills in the missing piece of my Art House talk. Thanks to Professor Herbert for providing the tape, and to his class for what was a great session.
The folks at the Toronto Film Festival have just posted my keynote from their annual Filmmaker Boot Camp, a sort of retreat where they prepare filmmakers for their experience at TIFF. This is the second time they’ve asked me to do this, and given that Toronto is one of my favorite festivals, I’m glad to be of service.
The information I presented is a summary of some presentations I’ve made in my classes at Columbia, and at various other events. It’s a quick overview of the current marketplace, followed by some specific strategies one might use to navigate a festival like Toronto, and to make the best of the experience. I hope those of you who couldn’t be there will find something useful in it.
One of the great things they do at the Traverse City Film Festival is that every year they create these powerful, inspirational videos that are are riffs on the theme of that year’s festival. This year it was “One Great Movie Can Change You.” Check it out…
For those of you who have commented that film schools need more training in marketing and distribution, take a look at this video about a program that I helped to create with Ben Gibson of the London Film School. “Making Waves” took place at the Berlin Film Festival this past February. Several Columbia students participated along with students from The London Film School, La Fémis (Paris), the dffb (Berlin), ESCAC (Barcelona) and the UNATC (Romania). The students worked in international teams and were assigned a film from the Berlin Market and a territory. It was enormously successful and we hope the program continues in future years. Check it out below… Comments after the break… Continue reading ““Making Waves” at the Berlinale”
I’ve written many times about how theatrical exhibition has to move more toward special events in order to survive. Here is another example of Emerging Pictures’ efforts in this direction. This past weekend, we premiered Kenneth Branagh’s “The Magic Flute” in theaters across the country, and afterward did a live Q&A with Branagh himself, from his home in the U.K. Now you can watch the entire event below. By the way, the film is still playing around the country, so check out the Emerging Pictures web site for locations.
Below is the video of the keynote speech I gave this past January at the Art House Convergence, an annual event that brings together many of the independent art houses from all over the U.S. and with some representation from the rest of the world. I used the opportunity to give a kind of personal history lesson about the distribution and marketing of indie films, and to draw some lessons for the world we currently live in. A big thank you to Russ Collins of the Michigan Theater for giving me the opportunity to speak, and to Doug Tirola and his team at 4th Row Films for recording it.
These video originally appeared on Thompson on Hollywood, part of the Indiewire network.
Here’s a video of a panel discussion that took place at the Cannes Film Festival this past May, at the UK Film Center. It’s a fascinating look at the various initiaves that are taking place to reinvent the theatrical experience by virtue of digital technologies. It’s a subject that, as you all know, is dear to my heart. And yes, I’m on the panel.