A few weeks ago, I was pleased to hear that Sarah Kernochan’s “All I Wanna Do” (as it is currently known in the U.S.) was going to be screened at New York’s Metrograph Theater. I reached out to them to let them know that I had a 35mm print they could use, and that I would see who might be available to introduce the film and do a Q&A. Sarah, my co-producer Peter Newman, and Tony Janelli, who was the DP, all agreed to come. It turned out that I couldn’t be there because I tested positive for Covid. But reports from the screening reinforced my contention that this film is a classic and deserves to be seen more widely.
“All I Wanna Do” is a movie that I’m incredibly proud of, for all the reasons that attracted me to the project to begin with. It was a very personal story, from an accomplished, Oscar-winning filmmaker, who had yet to be given the opportunity to direct a fiction feature. The script was funny and entertaining, geared toward an underserved audience (young women) and dealt with a moment in history (the birth of feminism) that would be enlightening to the target audience. Continue reading ““All I Wanna Do” – Time for a Re-Release?”