Tag Archives: Documentary
Decades after helping him with his landmark study of the economics of the indie film biz, Peter Hamilton recently had me on his podcast to discuss today’s documentary distribution landscape. Check it out.
When AMPAS announced its new documentary rules this week, I thought the idea of having a New York Times or Los Angeles Times review be a qualification for the Oscars was a good idea. Putting outsiders who have no stake in the results in a position of defining what is considered “theatrical” is a brilliant stroke. This is especially true of the New York Times, which has a commitment to review everything that plays a full week run in New York City. Their definition of a theatrical run has included venues like MOMA and films that have opened day & date on VOD, so this should not be a difficult obstacle for any film that mounts a real theatrical release.
On the other hand, there is still an obstacle created by the rules that I strongly feel is not only unnecessary, but is destructive to the integrity of the award. Earlier today I expressed my displeasure in two tweets and the reaction was so strong that I felt that I should use more than 140 characters to flesh out what I was referring to. The tweets were as follows:
In case you didn’t know, @MMFlint is Michael Moore, who has been credited with influencing the Academy’s change of rules.
The problem I am referring to is something that I have been preaching for a long time. (more…)
I’m ecstatic to report that my son Jeff’s feature documentary “11/4/08” will have its World Premiere at the SXSW Film Festival in March. The film is what he calls a participatory documentary, in that many people contributed footage from around the world, and the film will exist as an ongoing project in which anyone can still submit footage and create their own personal versions of the film.
Also, you can still participate in the film… (more…)