The Upper West Side Needs More Art Film Screens

When the Lincoln Plaza Theater closed in January of 2018, it was like a body blow to the Upper West Side, an area that historically housed a huge community of arts lovers who were educated, sophisticated and open to a wide variety of cinema experiences.

It wasn’t as if there weren’t alternatives. Film at Lincoln Center is one of the best curated art houses in the country. AMC has two large multiplexes that, in addition to playing the latest Hollywood movies, also squeeze in the occasional Focus, Searchlight, A24 or Neon film. But, with the passing of the Lincoln Plaza Theater, a stalwart community institution was gone.

In the time since that closure, there have been some good and some bad developments. On the bad side, The Landmark on 57th Street also closed. While it was never going to fulfill the UWS neighborhood’s needs due to its incredibly inconvenient location, Landmark did attempt to play some of the smaller art films that couldn’t find a home elsewhere. I’ve heard that someone is taking over that theater, but I’m guessing it will end up mainly playing commercial Hollywood films. Continue reading “The Upper West Side Needs More Art Film Screens”

How Virtual Cinema Could Help Arthouses Secure Their Future in 7 Easy Steps

I wrote the following article, which ran in Indiewire on July 1st. Here it is in its entirety, with a couple of added points at the end…

As a believer and crusader for the theatrical experience, the closure of movie theaters all over the world was a punch in the gut. There was an immediate consensus among pundits of all stripes that this was the end of theatrical moviegoing. People would just get used to the idea that they could see what they want at home, so why would they ever go out to see a movie again?

Yet in the art films world, a remarkable thing happened: Several independent distributors created something called “virtual cinema.” Pioneered by Kino Lorber, Magnolia, Oscilloscope, and others, they made their stranded films available, online, in partnership with the independent theaters where the films were scheduled to play. Theaters used their patron lists to market the films; in return, they took a percentage of the gross as if they had presented the films in their physical theaters. Continue reading “How Virtual Cinema Could Help Arthouses Secure Their Future in 7 Easy Steps”