Author: Ira

Columbia University announces expanded MFA in Producing

cu_logoIn my capacity as  Professor in the Film Division of the School of the Arts at Columbia, I’m very proud of the announcement below. As independent producers the world over continue to fret about how new technologies and the internet are affecting their ability to create sustainable careers, it becomes paramount (excuse the unintentional pun) that we prepare the next generation for the challenges ahead. If, as has been noted elsewhere, makers must also become marketers, we have to give them the knowledge and the tools to make that happen. And in the process, we may all learn something.

IMMEDIATE RELEASE

New Focus on Creative Producing at Columbia
University School of the Arts Film Program

MFA program taught by award-winning faculty

NEW YORK, October 15, 2009 — Building upon a strong record of faculty and alumni recognition at the Oscars, Sundance and other film festivals, Columbia University School of the Arts is expanding its master of fine arts film program. Film: Creative Producing, a newly introduced course of study, will train the next generation of filmmakers in the modern complexities of professional movie production. Continue reading “Columbia University announces expanded MFA in Producing”

A Public Option for Filmmakers

Public OptionAfter my last post about the “Indie Summit,” I began an email correspondence with indie filmmaker Tyler Davidson. I found his thoughts provocative and encouraged him to write them up so I could share them with the rest of the indie community. The following is from Tyler:

A PUBLIC OPTION FOR FILMMAKERS 

Just as a few U.S. insurance companies have a stranglehold on our country’s healthcare system, so too do a few Hollywood studios on our film industry.  Instead of exploding healthcare costs and millions of people uninsured, our industry sees a once-flourishing independent film community decimated and a substantial swath of independent  filmgoers underserved.   Continue reading “A Public Option for Filmmakers”

10 (9 actually) Responses to the Issues Brought Up at the “Indie Film Summit”

momaThanks to MOMA and indieWIRE, some 60 or so representatives of the “indie” film world got together yesterday to discuss the state of the business. A tip of the cap is due to Eugene Hernandez and Anne Thompson for their valiant attempt to reign in a group of outspoken, opinionated and polarized people arranged around a conference room that was clearly designed for far fewer active participants than were attending this particular event. The very existence of such an event, and the number of notable people who showed up, is both a testament to how hungry we are for this type of discussion, and a reason to be hopeful about the future of the business. In the course of a rambling two plus hours of talking, some deep arguments were addressed, some real insights were made and some of the attendees slipped into the kind of self-serving pitches that we hear on a million panels. But by the end of the day, I felt that all the real issues facing our business had at the very least been thrown on the table. My only frustration was that each of the many topics that came up deserved further exploration. Hopefully this can happen in a series of more focused discussions some time in the future.

One personal frustration was that the format didn’t allow me to get in my two cents on a number of points that I felt needed to be made. So, I’m going to use this space to do that very thing. At the beginning of the conference, Eugene asked that the particulars of who said what should be kept off the record in order to allow people to be as open as possible. I am going to respect that and deal only in the issues that were brought up without naming names. I am also going to take a piece of advice from Ted Hope and make this a list, which he says gets more hits than straight prose. So here goes… Continue reading “10 (9 actually) Responses to the Issues Brought Up at the “Indie Film Summit””

IFP Panel: The State of Distribution

In September of 2008, I moderated a panel discussion about the current state of “indie” distribution. On the panel were Tom Bernard of Sony Classics and filmmaker Lance Weiler. It was a pretty lively debate, and an interesting contrast between the traditional distribution methodology and the new DIY model. Here it is– in its entirety– courtesy of IFP.

Toronto International Film Festival 2009 – Juliet Goodfriend’s Notes

Juliette Goodfriend, the aptly named Executive Director of the Bryn Mawr Film Institute in suburban Philly, is one of those devoted art house exhibitors who does whatever it takes to bring the best in international cinema to her audience. We’re proud to have her institution as partof the Emerging Cinemas network. At this year’s Toronto Film Festival, Juliette scoured the available films and I’m pleased to share her thoughts with you.  Those of you who live in or near Philly, owe it to yourself to check out her theater.

From Juliette Goodfriend:

A failed tweeter, I submit in good, old-fashioned prose my comments about the 30 films I viewed in part or in their entirety. As has become the custom, they are grouped in approximate descending order of appeal to what I take to be our audience at BMFI. Remember, too, that I have previously submitted notes on the couple dozen films we saw at Cannes ’09, some of which were major hits here at Toronto.

Emerging themes from Toronto: Uncertainty, infidelity, intoxication, and apocalypse—any relationship you see among them is purely intentional. What I noticed most was that there was very little blood in “My Toronto”. So here goes: Continue reading “Toronto International Film Festival 2009 – Juliet Goodfriend’s Notes”

40 Years ago… Part 2

Part one of this story can be found here.

It was August, and after dropping a number of hints that I was unhappy being the children’s waiter, I was finally promoted to the main dining room, but as a busboy. In retrospect, I assume that my locally powerful uncle had something to do with getting me the promotion. In any case, I was glad to be rid of the spoiled brats.

It turned out that bussing the tables in the main dining room was no picnic either. The Granit, like many hotels in the Catskills at that time, was strictly Kosher. Breakfast was always a dairy meal. Lunch would alternate between meat and dairy, and dinner was always meat. One of the most popular items on the lunch menu was borscht. To this day I’ve never tasted it, but at the end of a long day, my shirt sleeves were stained red from carrying the busboxes that were half filled with sloshing leftover borsht. Continue reading “40 Years ago… Part 2”

It was 40 years ago today…

Granit Hotel & Country Club, Kerhonkson NY

In the next few week’s it’s going to be hard to avoid the fact that it has been 40 years since the Woodstock Music & Arts Festival tracked its muddy footprints into history. I’ve been speculating that the 40th anniversary needed to be a big deal because it was likely that by the 50th, there would be no one left who was there.  Personally, I didn’t make it to Woodstock. But the summer of 1969 was one of the most important in my life…so much so, that I’ve been considering trying to put it in a screenplay. But given that I have many other obligations, I may have to settle for this blog. (Hey Schamus, when do you find time to write?)

In the winter of 1968-69, I was in my sophomore year of high school and my parents announced to me that we were moving from Chicago, where I had spent my formative years, Continue reading “It was 40 years ago today…”

Podcast: The Brand Show

While I was at the PGA “Produced By” Conference in L.A. (which I’ll write more about shortly), I was interviewed for a podcast called “The Brand Show” which is described as being about “the growing connection between storytelling and branding.” If you are curious about the subject, my interview is below. You can find others at the Two West web site.
UPDATE: Unfortunately the Brand Show podcasts are no longer available.

Leave comments after the jump Continue reading “Podcast: The Brand Show”

Bryn Mawr Film Institute Reports from Cannes

Juliet Goodfriend, the Executive Director of our affliliated venue in Bryn Mawr PA, and her companion Marc R. Moreau, PhD Chairman Philosophy Department, LaSalle University wrote this excellent summary of the films they saw in Cannes this year…

Quick impressions from the 62nd Cannes Film Festival
Juliet J. Goodfriend and Marc Moreau, May 16-21, 2009

The blue sea, white yachts, black-tied men with spike-heeled arm candy make this the festival of festivals. Yes, there are also the grunge-clothed industry professionals, and the bizarre groupies who stake out a square foot of territory on the median strip of La Croisette so they can oogle their favorite stars from padded step ladders (seriously). All of this and the parties and crowded sidewalks make the environment bubble like champagne. The sun soaked long lines for admittance can be deadly, but we escaped that punishment being in a wheelchair and with industry badges that put us at the head of the line. So we are thrilled to have been to Cannes, would recommend it to others, but may not bother to go again, since Toronto has the films and it’s a whole lot easier to get to, albeit not nearly as glamorous! Continue reading “Bryn Mawr Film Institute Reports from Cannes”

PGA Event Video

On March 25th, I participated in an event sponsored by the Producers Guild that was called, “Independent Filmmaking in the Digital World: A Conversation with Ira Deutchman.” The PGA has kindly provided the video so I can share it. It’s divided into four parts, assuming you can last that long. Let me know your thoughts. 

UPDATE: Unfortunately this video is no longer available.

Leave comments after the jump… Continue reading “PGA Event Video”