“Searching for Mr. Rugoff” Outtake #3: Costa-Gavras

Meeting Costa-Gavras was one of the real treats that came out of the making of “Searching for Mr. Rugoff.” The interview was arranged through Unifrance (thank you!) and was done in his apartment in Paris. I could tell that he was a bit suspicious of my intent at first, but when I explained what the film was about, he immediately brightened up. Don Rugoff was clearly a huge influence in his life and he told me wonderful stories, only a small portion of which made it into the film.

This particular outtake is about how after the success of “Z” he was offered to direct “The Godfather.” Instead, he ended up working with Rugoff again on “State of Siege,” another masterpiece.

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“Searching for Mr. Rugoff” Outtake #2: Robert Downey (RIP)

With news of the passing of Robert Downey today, it seemed appropriate to share a bit of the interview I did with him for “Searching for Mr. Rugoff.” There are lots of great moments with him in the film, but this particular one didn’t make it to the final cut. It’s a great example of how affable he was and what a great storyteller! I’m glad I had the chance to spend time with him.

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Outtake from “Searching for Mr. Rugoff” #1: Roger Corman

The idea for a documentary of some sort had been rumbling around in my head for a long time. At first I thought it would simply be a way of capturing a bit of history by interviewing people that I knew were getting up in age and had great stories to tell about the early era of independent film distribution. 

It was 7 years ago this week that I heard Roger Corman was being honored at Michael Moore’s Traverse City Film Festival, an event that I have attended yearly for quite some time. It dawned on me that this was an opportunity to capture one of those interviews for my yet to be defined project. I reached out to Michael and asked if I could interview Roger at the festival. The resulting interview was just as informative and colorful as I had hoped, but as my project took shape, it turned out that Roger did not make the final cut. However, I decided that this interview, and the many others that followed, deserved to see the light of day as a sort of side project. My goal is to eventually create an online oral history about this particular period in the business.

In any case, below is a small portion of that interview.

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A Little Glimpse Behind the Scenes of the Release of My Doc

A few days ago, I announced the long-awaited release of my film “Searching for Mr. Rugoff” (long-awaited by me, anyway). It’s been a protracted journey with many twists. I’ve begun to reflect on the many decisions I made along the way–fortunate and not–and thought some of it might be instructive for others (the teacher comes out in me!)

The project itself was years in the making, and at many points I wondered if it would ever actually add up to anything. I was once told that narrative features are a sprint, but that documentaries are a marathon. Trite but true. There were many times when I thought the film was as good as it could be, only to get feedback that made me take yet another look, leading to yet another version. The process was often frustrating and infuriating, but with each iteration, it seemed to get better. I had work-in-progress screenings for the students at Columbia, at the offices of Kartemquin Films in Chicago, at the Michigan Theater in Ann Arbor, and at the 2019 Art House Convergence. And while audience reactions were very encouraging, I always walked away with more notes—sometimes completely contradictory. Continue reading “A Little Glimpse Behind the Scenes of the Release of My Doc”

All Eyes on Wisconsin

For the next month or perhaps longer, the state of Wisconsin will be one of the most scrutinized parts of the country. It’s an important swing state that could determine the outcome of the election, while simultaneously being one of the worst hotspots for the coronavirus. In the meantime, the good folks at University of Wisconsin in Madison are helping to keep their community sane by having an online film festival. 

The Wisconsin Film Festival was meant to be part of the “Searching for Mr. Rugoff” national tour last spring, and of course was cancelled along with the rest due to the pandemic. The festival has now morphed into a series of screenings available virtually, only for the UW community. Not only are they showing my film, but they are also showing “Gimme Shelter,” which was originally released by Don Rugoff through his company Cinema 5. In conjunction with those screenings, I was interviewed for their Cinematalk Podcast. It’s a pretty in depth interview and was a lot of fun to do. You can listen to it below. Thanks to the University of Wisconsin Cinematheque for their interest.

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Evangeline Peterson – Rest in Peace

Photo by Jacques Perrin

I’ve just been made aware of the passing of Evangeline Peterson. Some of you may know Evangeline as the wife of Don Rugoff, the subject of my film “Searching for Mr. Rugoff.” It is no exaggeration to say that Evangeline was (is) the star of the film. She added parts of the story that no one else would have known, and her intelligence and radiance jump off the screen. 

When I first thought about making a film about Don Rugoff, I had no idea how his family would feel about it or if they would be willing to cooperate. I first reached out to Don’s son Ed and, over an extended lunch, we discussed the project. It seemed as if he was willing. He also mentioned that his mother, Evangeline, was still alive and living in Medford, Oregon. I remembered Evangeline from brief encounters at the Cinema 5 offices when I worked there in the ’70s. She was a beautiful and classy woman; one wondered what she saw in Rugoff, who was not the least bit attractive and a not-very-nice person. Ed promised that he would approach his mother about doing an interview for the film. Continue reading “Evangeline Peterson – Rest in Peace”

Galway Q&A

Among the many film festivals that my film “Searching for Mr. Rugoff” was scheduled to play at, most were cancelled. However, some, like Cleveland and Galway in Ireland went on in a virtual form. For you indie film wonks out there, in both cases screenings were geofenced to the immediate area of the festival and tickets limited to the capacity of the theater it would have played in physically. Below is the virtual Q&A that I did with Galway Film Fleadh Programme Director, William Fitzgerald.

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Cleveland Speaks

Among the festivals that my film, “Searching for Mr. Rugoff,” was supposed to play in before the coronavirus hit, was the Cleveland International Film Festival or CIFF as it is known. I was looking forward to attending, since I hadn’t been to the festival since I was there with “Cutter’s Way,” which was many moons ago. I also have good feelings about Cleveland in general, since I was there to witness the Cubs win the world series.
Alas, there was to be no festival in Cleveland this year. However, they are showing many of the films in a virtual festival available to ticket and passholders (Don’t get too excited, it is geo-locked to the Cleveland area.) They have just posted a podcast that is meant to be both an introduction to the film, and a Q&A for those who see it. Luckily, I can share it with you…

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West Coast Premiere of “Searching for Mr. Rugoff” Scheduled for the Palm Springs Film Festival

After the amazing premiere we had at DOC NYC, I’m pleased to announce that the next stop on the festival tour for “Searching for Mr. Rugoff” will be at the 2020 Palm Spring Film Festival, which will serve as the film’s West Coast Premiere. I’ve heard from so many of you that you wished you could have been at the first showings in New York, so here is your chance to participate in the celebrations. The screenings are as follows:

January 3
10:30 am
Camelot Theaters at the Palm Springs Cultural Center

January 8
6:45 pm
Regal Cinemas

January 9
2:00 pm
Palm Canyon Theater

 

Looking forward to sharing it with all of you.