Tag Archives: TIFF

10 Years Ago (now 19)…A Family Odyssey

Day One: Tuesday September 11, 2001

It was one of those glorious mornings that the weathermen on TV refer to as “one of the top 10 days of the year.” There wasn’t a cloud in the sky, and there was a hint of autumn in the air. The light was crystalline, with every detail in sharp relief.

Beth and I awoke with a lot on our minds.

It was the first day of school for our daughter Emily, who was entering the 10th grade.  Our son Jeff was already packed in preparation for his first year of college at Northwestern; he was to fly to Chicago with Beth on Friday. I was about to meet up with my producing partner Stephen Dyer to fly to Toronto for the world premiere of our film “Ball in the House.” It was also Election Day.

My bag was packed and sat in the foyer by the front door of our apartment on the Upper West Side, as I headed out to the polling place down the block. As I was leaving the building, the doorman said, “Did you hear? A plane flew into the World Trade Center.” I turned to him and nodded. I didn’t think much of it, since I knew that over the years, a number of planes had flown into the Empire State Building. I pictured a small Cesna crumpled against the building. (more…)

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Toronto International Film Festival 2009 – Juliet Goodfriend’s Notes

Juliette Goodfriend, the aptly named Executive Director of the Bryn Mawr Film Institute in suburban Philly, is one of those devoted art house exhibitors who does whatever it takes to bring the best in international cinema to her audience. We’re proud to have her institution as partof the Emerging Cinemas network. At this year’s Toronto Film Festival, Juliette scoured the available films and I’m pleased to share her thoughts with you.  Those of you who live in or near Philly, owe it to yourself to check out her theater.

From Juliette Goodfriend:

A failed tweeter, I submit in good, old-fashioned prose my comments about the 30 films I viewed in part or in their entirety. As has become the custom, they are grouped in approximate descending order of appeal to what I take to be our audience at BMFI. Remember, too, that I have previously submitted notes on the couple dozen films we saw at Cannes ’09, some of which were major hits here at Toronto.

Emerging themes from Toronto: Uncertainty, infidelity, intoxication, and apocalypse—any relationship you see among them is purely intentional. What I noticed most was that there was very little blood in “My Toronto”. So here goes: (more…)

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