Ever since I joined forces with my partners Barry Rebo and Giovanni Cozzi to form Emerging Pictures, one of our goals was to use the new digital technologies to revive the idea of the neighborhood repertory cinema. At first, there was a lot of resistance…from filmmakers and from theater owners, both of whom were still married to the 35mm format. Over time, that resistance has worn down, as both filmmakers and theater owners began to realize the economic benefits of leaving 35mm behind. But perhaps more importantly, as they began to experience it in a theater, they realized that the compromise in picture quality was very minimal, and was compensated for by not having the degradation that goes along with running 35mm through a projector. The image was the same in week 3 as it was in week 1. It was the same in Oklahoma City as at the Zeigfeld. Continue reading “Could digital projection save repertory cinema?”