This post's short url is http://ira.vg/cfvhw
- My Tweets
Tags9/11 Anne Thompson Art House Convergence Ball in the House Baseball Cannes Cinecom Columbia University Cubs Digital Cinema Emerging Pictures Filmmaker Magazine Film School Film Society of Lincoln Center Fine Line Honeydripper IFP Independent Film indieWIRE Jeff Deutchman John Sayles Mets Michael Moore New York Times Northwestern NPR Obama Oscars Politics Producing Robert Altman Russ Collins Slingbox Stephen Dyer Sundance Tanya Wexler TCFF Technology Ted Hope The Conversation TIFF Traverse City Film Festival Twitter United Artists Classics Video
Tag Archives: Household Saints
I heard the devastating news today that Jonathan Demme is no longer with us. I knew he had been ill, but the last time I saw him he looked like he was back to his normal self and seemed to be in quite good spirits. But then again, Jonathan always gave off the vibe of being in good spirits. I had the pleasure of working with him on two of his films, and then peripherally on two others, and in all that time he never treated me with anything but the utmost respect.
I first met Jonathan shortly after the Cinecom team screened “Stop Making Sense” and we immediately decided we wanted to distribute it. The film had been financed by Warner Brother Records; from their perspective, it was merely a promotional film intended to broaden the appeal of Talking Heads. We saw the film differently, as Demme was already on our radar as someone we would love to work with. Yes, it was a great concert film, but the simplicity with which it captured a live performance and made it feel as immediate and exciting as if you were in the room–this was something new. This was pure cinema.
Jonathan was coming off of a few films that, while well received critically, had not exactly set the world on fire. Worse yet, he had just finished “Swing Shift,” a fairly big budget Hollywood movie he wasn’t all that pleased with, that tanked at the box office. The experience of “Stop Making Sense” seemed to him like a breath of fresh air at a time when his Hollywood stock was not exactly rising. Perhaps it was his publicity background kicking in, but he was unusually respectful of the work being done to market and distribute the film, and showered us with public praise when the film outperformed expectations. (more…)