Below is an interview that I did with Lance Weiler for the Workbook Project about what we are doing at Emerging Pictures, and how I think we could potentially be part of the solution for theatrical distribution of independent films. If you don’t know about the Workbook Project, and all the transmedia work being done by Lance, you [...]
Here’s another video in the New Breed series, featuring yours truly.
NEW BREED PARK CITY – Exploring the Solutions, Part 2 from Sabi Pictures on Vimeo.
Make sure you check out the whole series at www.workbookproject.com, and feel free to leave comments after the break.
Filmmaker Magazine and the Workbook Project are doing a series of reports from Sundance/Slamdance on the new breed of filmmakers–the ones that are taking distribution of their work into their own hands. Below is one segment that the Filmmaker Blog describes as follows:
Filmmakers Zak Forsman and Kevin K. Shah of Sabi Pictures arrive at Park [...]
Last week, I made a rare trip south of 14th Street to see a double feature of “Where’s Poppa” and “Little Murders” at Film Forum. The minute I spotted this particular program on the Film Forum schedule, I marked it on my calendar in spite of the fact that I own both films on DVD and have seen [...]
Last Spring I was approached by the filmmakers of a documentary film called “Who Does She Think She Is” about using Emerging Pictures to distribute and exhibit their film. The film is a moving exploration of the difficulties women have in being taken seriously as artists. It had already had some modest theatrical exposure, and the [...]
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Dave Sikich,
Fine Line,
Frederick Marx,
Gene Siskel,
Hoop Dreams,
Independent Film,
John Iltis,
New Line,
Peter Gilbert,
Roger Ebert,
Steve James,
Turner Entertainment
Fifteen years. Hard to believe.
“Hoop Dreams” is such an important milestone in my life that absorbing the fact that it has been fifteen years since its release makes me feel very old. There are many proud parents of this film, not the least of whom are its subjects, who allowed their lives to be laid bare on [...]
Yesterday, I tweeted my frustration about the synopses I’ve been finding in the web for indie films. I decided to use more than the 160 characters of Twitter to vent a little further. The context is that we play a lot of independent films at Emerging Cinemas, and once a month we collect info on [...]
After my last post about the “Indie Summit,” I began an email correspondence with indie filmmaker Tyler Davidson. I found his thoughts provocative and encouraged him to write them up so I could share them with the rest of the indie community. The following is from Tyler:
A PUBLIC OPTION FOR FILMMAKERS
Just as a few U.S. [...]
Thanks to MOMA and indieWIRE, some 60 or so representatives of the “indie” film world got together yesterday to discuss the state of the business. A tip of the cap is due to Eugene Hernandez and Anne Thompson for their valiant attempt to reign in a group of outspoken, opinionated and polarized people arranged around [...]
In September of 2008, I moderated a panel discussion about the current state of “indie” distribution. On the panel were Tom Bernard of Sony Classics and filmmaker Lance Weiler. It was a pretty lively debate, and an interesting contrast between the traditional distribution methodology and the new DIY model. Here it is– in its entirety– courtesy of IFP.