This post's short url is http://ira.vg/dqojn
Tags9/11 Anne Thompson Art House Convergence Ball in the House Baseball Cannes Charles Burnett Columbia University Cubs Digital Cinema Emerging Pictures Filmmaker Magazine Film Society of Lincoln Center Fine Line Honeydripper i-cinema IFP Independent Film indieWIRE Jeff Deutchman John Sayles Mets Michael Moore Music New York Times Northwestern Obama Opera Oscars Politics Richard Brick Robert Altman Russ Collins Slingbox Stephen Dyer Sundance Tanya Wexler TCFF Technology Ted Hope The Conversation TIFF Twitter United Artists Classics Video
Tag Archives: Tribeca
With more and more studios moving away from 35mm prints, can art house cinema survive in a digital world?
This article was originally published on the Tribeca Future of Film web site, and was reprinted at Thompson on Film, among other sites. However, I decided to post it here as well, to make it easier to find and for archival purposes.
That sound you’ve been hearing over the last month that resembles the opening strains of the soundtrack from Jaws is a collective moan from true independent distributors and the mission-driven exhibitors who play their films. The catalyst for this distress was a letter from Fox Searchlight, which is now widely referred to as “the Searchlight letter.” (more…)
I don’t usually write reviews of films I’ve seen, but after a public debate (on Facebook) with my son, I feel compelled to explain my feelings about the new Woody Allen film in a larger than Twitter-sized forum.
In the context of Woody’s career, it would be easy to dismiss “Whatever Works” as a minor piece. The plot makes very little sense, the characters are all “types,” and the world the film takes place in is as realistic as Seinfeld’s apartment building.
But that’s the point. Woody is just having fun. (more…)