This post's short url is http://ira.vg/zuhxw
- My Tweets
Tags9/11 Anne Thompson Art House Convergence Ball in the House Baseball Cannes Chicago Cinecom Columbia University Cubs Digital Cinema Emerging Pictures Filmmaker Magazine Film School Film Society of Lincoln Center Fine Line Honeydripper IFP Independent Film indieWIRE Jeff Deutchman John Sayles Mets Michael Moore New York Times Northwestern Obama Oscars Politics Producing Robert Altman Russ Collins Slingbox Stephen Dyer Sundance Tanya Wexler TCFF Technology Ted Hope The Conversation TIFF Traverse City Film Festival Twitter United Artists Classics Video
Tag Archives: Russ Collins
This past Tuesday night, I was honored by the Art House Convergence with the first annual Spotlight Lifetime Achievement Award. Since then, I’ve been asked by many people who were there if I could post my acceptance speech. Thanks to the good folks at 4th Row Films, who were there to capture it, here it is. They even were so kind to insert the video that was made by Spotlight Cinema Network. Thanks to one and all.
Comments after the break… (more…)
You might enjoy listening to this Michigan NPR Broadcast where Russ Collins from Art House Convergence and yours truly talk about my donation of my archives to the University of Michigan Screen Arts Mavericks and Makers Collection.
Get the Flash Player to see the wordTube Media Player.
Comments after the break… (more…)
Last week, a lot of eyebrows were raised when Steven Spielberg, of all people, predicted the ‘implosion’ of the film industry. Russ Collins, who is the head of the Art House Convergence among the many hats he wears, wrote the following as an email to the art houses across the country. With his permission, I am reprinting it in it entirety as a guest blog. It’s a must read for anyone contemplating the state of the film industry.
By Russ Collins,
CEO, Michigan Theater – Ann Arbor
Director, Art House Convergence
Artistic Director, Cinetopia Festival
CLOSE ENCOUNTERS OF THE IMPLOSION KIND
I am not a doom and gloom guy. However, it is tempting for older cinema artists (like Steven Spielberg and soon to retire artists like Steven Soderbergh or maybe it’s just filmmakers named Steven!) to see gloom in clouds of change. Change is hard. It frequently makes us feel discouraged or unfairly challenged. The shifting sands of change can cause us to see threats everywhere and feel the world as we know it will end. However, maybe we feel this way because it’s true. The world as we know it will indeed come to an end because change is the only constant, and creativity in art, business and all things is frequently born from what might appear to be destructive forces brewed from dynamic change. It is a defining story of living; a baseline truth, an ever repeating cycle of human existence that the Hindu religion represents so effectively in the story Shiva, whose joyous dance of destruction celebrates the cycle of creation, preservation and dissolution. (more…)
Russ Collins, the intrepid leader of the Art House Convergence, a yearly conference of mission-driven community art houses across the country, gave the following kickoff speech for this year’s get-together. Read it and be inspired!
Welcome Address by Russ Collins, Director, Art House Convergence
January 15, 2013 – for the Art House Convergence conference, Zermatt Resort, Midway, Utah
Welcome to the Art House Convergence. Welcome as we celebrate the Brave New American Art House. Thank you for taking the time and trouble to gather here in Utah with colleagues and friends and, with strangers who will soon be friends, to execute the mission of the Art House Convergence.
The mission of the Art House Convergence is to increase the quantity and quality of Art House cinemas in North America. We hope you will help us pursue this mission by: 1) constantly improving your own Art House; 2) helping colleagues make their Art Houses better places for audiences to experience cinema art and 3) working to make all Art Houses serve as highly effective community cultural centers. (more…)
There has been a lot of discussion recently among the mission-driven, independent art houses in the U.S. regarding the transition to digital. The art houses are stuck between a rock and a hard place due to the cost of DCI compliant (studio approved) equipment that would be necessary to show such cash cows as “Black Swan” or “The King’s Speech” — equipment that the art houses simply can’t afford — while the vast majority of the real indie movies that they play are not available in that format. Further angst is caused by the sense that it is only a matter of a few years before there simply are no more 35mm prints available. In the midst of a lot of doom and gloom, Russ Collins, the Executive Director of the Michigan Theater in Ann Arbor and a leader of the Art House Convergence wrote the following guest blog…
By Russ Collins
Maybe I’m just too much of an optimist. Instead of seeing digital cinema as a harbinger of Art House doom I see it as an exciting opportunity. Digital conversion AND the preservation of celluloid exhibition formats are, to me, soluble issues that will be most effectively addressed by “new model” community-based, mission-driven Art House cinemas. Digital cinema can provide wider, quicker access to both historic and contemporary cinema repertoire and is much more accommodating to local filmmakers. Additionally, we get the benefit of digital restoration on wonderful old celluloid movies. (more…)