This post's short url is http://ira.vg/lvvjm
- My Tweets
Tags9/11 Anne Thompson Art House Convergence Ball in the House Baseball Cannes Charles Burnett Columbia University Cubs Digital Cinema Emerging Pictures Filmmaker Magazine Film Society of Lincoln Center Fine Line Honeydripper i-cinema IFP Independent Film indieWIRE Jeff Deutchman John Sayles Mets Michael Moore Music New York Times Northwestern Obama Opera Oscars Politics Richard Brick Robert Altman Russ Collins Slingbox Stephen Dyer Sundance Tanya Wexler TCFF Technology Ted Hope The Conversation TIFF Twitter United Artists Classics Video
Tag Archives: Oscars
I should start this by saying that I hate Oscar prognostications. It’s a ridiculous exercise that only feeds the massive publicity machine that the studios and mini-majors do their best to manipulate. When I come across yet another column that offers up daily updates on the “race,” I tend to cross my eyes and turn the (sometimes virtual) page.
The one and only time that I start paying attention is when I’m preparing to participate in various Oscar pools, which by the way, I almost never win. I know who I voted for, of course. But I also know that my votes are likely to be way outside the mainstream, and therefore offer no clues as to what the majority of Academy members will do. I find myself guessing differently with each pool that I enter.
That said, I’m probably the worst person to turn to for advice about filling in your Oscar pool choices. But I’m going to do so nonetheless. (more…)
When AMPAS announced its new documentary rules this week, I thought the idea of having a New York Times or Los Angeles Times review be a qualification for the Oscars was a good idea. Putting outsiders who have no stake in the results in a position of defining what is considered “theatrical” is a brilliant stroke. This is especially true of the New York Times, which has a commitment to review everything that plays a full week run in New York City. Their definition of a theatrical run has included venues like MOMA and films that have opened day & date on VOD, so this should not be a difficult obstacle for any film that mounts a real theatrical release.
On the other hand, there is still an obstacle created by the rules that I strongly feel is not only unnecessary, but is destructive to the integrity of the award. Earlier today I expressed my displeasure in two tweets and the reaction was so strong that I felt that I should use more than 140 characters to flesh out what I was referring to. The tweets were as follows:
In case you didn’t know, @MMFlint is Michael Moore, who has been credited with influencing the Academy’s change of rules.
The problem I am referring to is something that I have been preaching for a long time. (more…)
On the eve of Oscar weekend, I just want to make note of the fact that today would have been Robert Altman’s 89th Birthday. I don’t have the heart to take this date out of my calendar. We all miss you, Bob.