Tag Archives: Midnight in Paris
I just got back from a trip to Brussels, where I gave a master class at RITS on “New Business Models in the Digital World.” The audience, a combination of students and professionals from all over Belgium was managing to stay awake as I spouted off about all the various disruptive forces that were moving the film business in new directions. I talked about diminished windows, squeezed margins, pricing disparities, consumer confusion, conflicting technologies and much more.
During the Q&A period, a fellow raised his hand and challenged one of my earlier statements. I had mentioned that theatrical box office was trending upward only because of increasing ticket prices–mainly due to the premium paid for 3D–and in fact, the number of actual admissions had been trending downward for decades. (more…)