TCFF Panel on the 40th Anniversary of “Nashville”

Here is a panel that was hosted at this year’s Traverse City Film Festival on the career of Robert Altman in honor of the 40th Anniversary of “Nashville.” Panelists include Kathryn Altman, Ron Mann, Geraldine Chaplin, Michael Murphy & yours truly. It was moderated by Phil Hallman of the University of Michigan. Enjoy!


Comments after the break. Continue reading “TCFF Panel on the 40th Anniversary of “Nashville””

Equality Now Panel at TCFF

Among the many panels and Q&As that I participated in at this year’s Traverse City Film Festival was one entitled, “Equality Now.” It was meant to be both a celebration of the Supreme Court decision that legalized gay marriage and a discussion among the filmmakers who were involved with films that touched on LGBT issues. I was the moderator and the panel turned out to be quite illuminating (if I must say so myself) and even included some fireworks. Fortunately the panels were recorded for posterity, so here it is. I’ll post some others in the next few days…

Comments after the break… Continue reading “Equality Now Panel at TCFF”

Amazon and the “Vegetable Story”

vegetablesIn the last few days, the folks at Amazon have been a lot more open about their plans to invest in and distribute traditional theatrical films, as well as continuing their successful forays into episodic television. The various interviews and the accompanying analyses underline that fact that for Amazon, the goal is to get consumers hooked on its ecosystem, which bundles content with everything from baby formula and toilet paper deliveries. It reminds me of a story I tell every year in my Business of Film class at Columbia, which goes as follows:

About 20 years ago, at the Cannes Film Festival, I visited the hotel suite of a major sales agent to see what their upcoming product lineup looked like. As I entered the suite, I was greeted by the CEO of the company, who had a grin on his face. He sat me down and told me the source of his bemusement. Continue reading “Amazon and the “Vegetable Story””

Guest Blog: Tori Baker on Exhibitor/Distributor Price Fixing

CinemaConFor those of us who follow the politics of theatrical distribution in the United States, the recent controversy about Disney’s required terms for showing “The Avengers” struck a chord. The dynamics between exhibitors and distributors have always been fraught, and this is only the most recent example. John Fithian, the head of the National Association of Theater Owners (NATO), has publicly pushed back at Disney’s latest demands, but as Tori Baker of the Salt Lake Film Society points out, this is an issue that affects all exhibitors, not just the big chains. Her open letter to the art house community on this subject is reprinted (with her permission) below.

I have just returned from CinemaCon a few weeks ago and I am astounded by the volume and “billions” talked about at every corner of that event, from studios, from executives, and from those operating the larger chain for-profit cinemas.  At one point someone used a great classic film as an example of something “lame” and proudly touted an action super-hero movie as “awesome.”

While the mission driven art house cinemas are not exactly playing on the same playing field, the issue of price fixing, as pointed out by John Fithian in his response to Disney, is a valid concern for us as well.  Unfortunately for all exhibitors, the reality is that if ANY studio changes their terms or makes other demands, the entire food chain of studios, mini-majors and indies end up following their lead. It reaches the independent film world very quickly.

Continue reading “Guest Blog: Tori Baker on Exhibitor/Distributor Price Fixing”

Watch My Movie from NOVAC

Here’s a cool video put together by the good folks at NOVAC in New Orleans. This is from a conference to years ago that they called “Watch My Movie,” and featured such notables as Gianna Chachere of the Hamptons International Film Festival, Andrew Mer of SnagFilms, Janine Saunders of the Workbook Project, Todd Sklar of Range Life Entertainment, Jolene Pinder of the New Orleans Film Society and Film Festival. Oh and yours truly.

Comments after the break… Continue reading “Watch My Movie from NOVAC”

The Most Influential Indie Films of All Time, As Seen from 1996

John Cassavetes' "A Woman Under the Influence"I just stumbled across an old document on my computer, in which I was responding to a request from Filmmaker Magazine for a list of the “Top 10 American Indies.” The timestamp indicates that I wrote this in July of 1996, and I have no recollection of whether it actually ran in the magazine. However, I thought I would throw it up here and see if I can get a rise out of anyone.

I think the list holds up well, and the only film I would be tempted to add is “Pulp Fiction,” which I would characterize as the film that started the decline and eventual end to what we used to call American Independent Cinema.

For what it’s worth, here is the list. Feel free to comment with your own ideas.

These, in order, would be my choices for the top 10 most important (as in influential or breakthrough) American Independent Films:

1. “A Woman Under the Influence” While there are earlier, and arguably better Cassavetes films, this one is particularly significant in that Cassavetes mounted an ambitious and successful self-distribution effort, setting the stage for much of the independent distribution movement.  Continue reading “The Most Influential Indie Films of All Time, As Seen from 1996”

A Panel from 2005: My, How Things Have Changed!

DigimartIn 2005, I was invited to a conference in Montreal called Digimart, organized by Daniel Langlois and his team at Ex-Centris. It was a very early attempt to deal with the coming convergence of entertainment technologies, and they invited a star-studded array of speakers that represented the cutting edge of that time. I met many incredible people at the event, and even more the following year, when they invited many of us back for a second time. Some of the folks I met are now good friends and collaborators.

Recently it was pointed out to me that the videos of the conference sessions were no longer on line, so I contacted the good folks at La fondation Daniel Langlois, who are now trying to restore access to those videos. They’ve put back the sessions from the 2005 event, and are trying to locate the ones from 2006. Watching these videos, it’s incredible how far ahead of the curve many of the speakers were, and equally incredible how much has changed. You can find all the 2005 videos at the Digimart site. For a quick taste, below is the panel I was on, which was called, “More Digital Cinema Networks – Alternative & Independent Spaces.” I’ll post again if and when the 2006 videos reappear.

Comments after the break… Continue reading “A Panel from 2005: My, How Things Have Changed!”

One Great Movie Can Change You

One of the great things they do at the Traverse City Film Festival is that every year they create these powerful, inspirational videos that are are riffs on the theme of that year’s festival. This year it was “One Great Movie Can Change You.” Check it out…

TCFF 2013: One Great Movie Can Change You from Traverse City Film Festival on Vimeo.

Oh, and yes, that was me at the beginning. You can comment after the break… Continue reading “One Great Movie Can Change You”

The New Professionalism – A Flight Toward Quality

Filmmaker MagazineThis article was originally published in the Winter 2013 issue of Filmmaker Magazine.

Over the last decade, as the tools of filmmaking became less expensive and more generally accessible, there was much excitement about what came to be known as the “democratization” of filmmaking.  Suddenly, one didn’t have to be rich or the relative of a studio executive to get a movie made.  In addition, web sites such as YouTube and others opened up distribution to the masses, creating a new paradigm that was dubbed “user-generated content.”

All of this sounded great on the surface, but like other seemingly positive advances—remember the “thousand channel universe” or the “long tail theory?”—there are always unintended consequences. While it was true that more people were making “movies” than ever, I would characterize the change not as democratization, but rather as “amateurization.” These market forces—an oversupply of product and seemingly endless channels of accessible distribution—caused the bottom to drop out of the professional marketplace. Content in all its forms was being commoditized. Why should distribution channels pay for content when it could be provided for free? If audiences could be attracted by offering them quantity, why worry about quality? In other words, the so-called democratization of filmmaking was ensuring that no one could make a living at it. Continue reading “The New Professionalism – A Flight Toward Quality”

Before You Finalize Your Oscar Predictions…

oscarI should start this by saying that I hate Oscar prognostications. It’s a ridiculous exercise that only feeds the massive publicity machine that the studios and mini-majors do their best to manipulate. When I come across yet another column that offers up daily updates on the “race,” I tend to cross my eyes and turn the (sometimes virtual) page.

The one and only time that I start paying attention is when I’m preparing to participate in various Oscar pools, which by the way, I almost never win. I know who I voted for, of course. But I also know that my votes are likely to be way outside the mainstream, and therefore offer no clues as to what the majority of Academy members will do. I find myself guessing differently with each pool that I enter.

That said, I’m probably the worst person to turn to for advice about filling in your Oscar pool choices. But I’m going to do so nonetheless. Continue reading “Before You Finalize Your Oscar Predictions…”