When AMPAS announced its new documentary rules this week, I thought the idea of having a New York Times or Los Angeles Times review be a qualification for the Oscars was a good idea. Putting outsiders who have no stake in the results in a position of defining what is considered “theatrical” is a brilliant stroke. This is especially true of the New York Times, which has a commitment to review everything that plays a full week run in New York City. Their definition of a theatrical run has included venues like MOMA and films that have opened day & date on VOD, so this should not be a difficult obstacle for any film that mounts a real theatrical release.
On the other hand, there is still an obstacle created by the rules that I strongly feel is not only unnecessary, but is destructive to the integrity of the award. Earlier today I expressed my displeasure in two tweets and the reaction was so strong that I felt that I should use more than 140 characters to flesh out what I was referring to. The tweets were as follows:
In case you didn’t know, @MMFlint is Michael Moore, who has been credited with influencing the Academy’s change of rules.
The problem I am referring to is something that I have been preaching for a long time. Continue reading “Let’s Finish the Oscar Doc Overhaul”